The script has some clever ideas and set-pieces too. McG's hilarious and gruesome occult comedy proves Samara Weaving's worth seventy-billion times over, turning her into the new genre 'it' girl overnight. Judah Lewis is an amiable lead, and Samara Weaving - who also gives a breakout performance in this year’s cleverer, cooler horror-comedy Mayhem - proves that she’s a hilarious, unpredictable performer. It’s a shame too, because the idea is strong and the cast is doing their jobs. Tails was excited but quickly got the literal piss scared out of him when the two terrors from before showed up behind him. The Babysitter is a comedy, obviously, but it’s still trying to tell a real, albeit simple story, and it can’t even cover its own bases. Tails tries his best to put his recent humiliating endeavor out of his mind by doing what they were planning on originally doing and heading over to Amys for a movie part at her house. But the killers have a tendency to stop acting like killers whenever the filmmakers think it would be a funny joke - which it usually isn’t - and Cole has a tendency to do brave things long before he’s supposed to have learned how to be brave. ![]() Cole, as we learn at the start of the movie, is a bit of a coward, and so he must overcome his fears in order to save his own life and the lives of others. ![]() Cole sees his babysitter and her friends commit a horrific act of violence, and now they’re out to get him. ![]() The problem is that The Babysitter only needs to rely on the smallest amount of internal logic in order to work, as a horror movie or a comedy, and it can’t even get that right.
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